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Historically, the distribution of cinema was strictly stratified. Feature films occupied the theatrical space, experimental shorts were relegated to art houses or university archives, and "popular videos" (such as home movies, news reels, or promotional clips) existed in the realm of broadcast television or private spheres. Access was limited by physical location and curatorial gatekeepers.

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: Often festival-circuit films, student works, or lost avant-garde pieces. or lost avant-garde pieces.