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Unlike many other film industries, Malayalam cinema often prioritizes expressive acting and more realistic, relatable body types.

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Directors like Adoor Gopalakrishnan and John Abraham pioneered parallel cinema, but the mainstream absorbed this realism. The 1980s and 90s, often called the ‘Golden Age,’ gave us screenplays by M. T. Vasudevan Nair and Padmarajan that explored infidelity, caste hypocrisy, and familial decay with surgical precision. Unlike many other film industries, Malayalam cinema often

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