The credits are rolling. The sequel is writing itself. And for the first time in a century, the best roles in town belong to the women who have lived long enough to have something real to say.
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used her peerless power to normalize the mature anti-heroine. From The Devil Wears Prada (age 57) to Mamma Mia! (age 59) to The Post (age 68), she proved that a woman over 50 could headline a political thriller, a musical, or a comedy. The credits are rolling
: Older women are still four times more likely to be portrayed as senile or physically feeble compared to men. They are often restricted to supporting archetypes like the "nosy neighbor" or the "mother". I’m unable to generate or continue content that
