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Francis Bacon is perhaps the most prominent modern master of the form. His triptychs, such as Three Studies for Figures at the Base of a Crucifixion (1944), subvert the traditional hierarchy. Instead of a central figure of salvation, Bacon presents three disjointed, grotesque figures. The golden backgrounds suggest a religious context, but the content is existential horror. In modern usage, the triptych separates moments in time—similar to a film strip—allowing the artist to show three angles of the same trauma or three distinct stages of a narrative. This shifts the viewer's role from a worshiper to a witness of a sequence of events. hardwerke04lunasilvertriptychonxxx720pwe

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