For the first time, blue films began to critique the authority figures (cops, bosses, priests) that the Hays Code protected. The detective is a slob, not a hero. This cynical, post-war tone is a precursor to the anti-heroes of 1970s cinema.
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For the first time, blue films began to critique the authority figures (cops, bosses, priests) that the Hays Code protected. The detective is a slob, not a hero. This cynical, post-war tone is a precursor to the anti-heroes of 1970s cinema.
