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: Secondary relationships often create conflict between a protagonist's "love" and "duty," driving the primary plot forward. Thematic Redundancy vs. Depth : Secondary relationships often create conflict between a

The best “many relationships” stories aren’t about collecting GFs. They’re about different kinds of love – and how each woman changes the protagonist, and is changed in return. Write each route as if it’s the only one that matters. Then do it again.

The draw toward these expanded storylines stems from a desire for :

Showing how she no longer accepts behavior she once tolerated.