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There is a distinct linguistic and social distinction between a geinin (comedian/entertainer) and an akuto (actor). The most powerful players are often owarai (comedy) tarento (talents). Comedians like Sanma Akashiya or Downtown (Hamada & Matsumoto) host multiple weekly shows and dwarf "serious actors" in annual income. They are respected not for art, but for talk skills —the ability to fill time with witty, hierarchical banter.