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To understand the current revolution, one must acknowledge the historical vacuum. Traditionally, cinema operated on the "male gaze," a term coined by film theorist Laura Mulvey. This perspective positioned women primarily as objects of desire for the male protagonist and the male viewer. Consequently, as women aged and no longer fit the narrow mold of "ingénue," they were written out of the script.

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Forget the idea that action is for the young. The Night Manager and Killing Eve gave us older women in power suits running global intelligence networks. Michelle Yeoh at 60 won an Oscar for Everything Everywhere All at Once —a film that is literally about the existential exhaustion and unexpected power of a laundromat-owning grandmother. To understand the current revolution, one must acknowledge