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Redondo’s writing is inextricably linked to the geography of the Pyrenees. In Las que no duermen , the environment serves as a metaphor for the characters' internal states. The forest, the rain, and the isolation of the valley are not passive backdrops but antagonists that obscure the truth. This aligns with the concept of "rural noir," where the darkness of the countryside rivals the peril of the urban center. Redondo evokes a sense of "mystery through mist," using the oppressive weather to mirror the confusion and moral ambiguity faced by the investigators.

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