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Word of Kana’s little exhibitions spread slowly. People came for the gentle oddities: a portrait of a laundromat at dawn with steam like ghosts, a study of neon signs reflected in puddles, a drawing of empty chairs at a funeral where the chairs seemed to lean in as if gossiping. Critics murmured. Someone quoted dass388, citing rules and hierarchy, and asked whether Kana’s work defied the “proper” standards. The phrase " Morisawa Kana i dont listen