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MP3s are "lossy"—they compress audio by cutting out sounds the human ear supposedly can't hear. But with James Blake, the production is so sparse that every single sound carries weight. The sub-bass on a track like Voyeur or his Harmonimix edits drops into frequencies that MP3s simply cannot reproduce accurately.
Let’s break down exactly what this search term implies, why the 2014 era of James Blake was so pivotal, and why the ".FLAC" extension matters more than you might think. james blake 200 press 2014flac