We still have a long way to go. Pay disparities persist, and roles for women of color over 50 are still tragically scarce. But the trajectory is undeniable.
The indie darling A24 has championed this. Aftersun (2022) featured the quiet power of memory through a mature lens. The Whale (2022) gave Hong Chau a platform to play a fierce, pragmatic caregiver. These films treat older women not as symbols, but as people with stomach aches, bad credit, and complicated libidos.
(2024) has been hailed as a career-defining comeback, sparking intense discussions about aging and societal beauty norms.
– The review might be noting how rare it is to see such women centered at all, making the very fact of their presence the story. “Interesting” then becomes understated commentary on Hollywood’s ageism.
Following in her wake, Jamie Lee Curtis (64) won her first Oscar for the same film. We saw perfectly coiffed actresses like Naomi Watts and Nicole Kidman embracing prosthetics and "un-beauty" to play real, gritty roles. The vanity project is out; the "ugly cry" is in.
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We still have a long way to go. Pay disparities persist, and roles for women of color over 50 are still tragically scarce. But the trajectory is undeniable.
The indie darling A24 has championed this. Aftersun (2022) featured the quiet power of memory through a mature lens. The Whale (2022) gave Hong Chau a platform to play a fierce, pragmatic caregiver. These films treat older women not as symbols, but as people with stomach aches, bad credit, and complicated libidos. rachel steele milf 797 exclusive
(2024) has been hailed as a career-defining comeback, sparking intense discussions about aging and societal beauty norms. We still have a long way to go
– The review might be noting how rare it is to see such women centered at all, making the very fact of their presence the story. “Interesting” then becomes understated commentary on Hollywood’s ageism. The indie darling A24 has championed this
Following in her wake, Jamie Lee Curtis (64) won her first Oscar for the same film. We saw perfectly coiffed actresses like Naomi Watts and Nicole Kidman embracing prosthetics and "un-beauty" to play real, gritty roles. The vanity project is out; the "ugly cry" is in.
