Van Morrison Bootlegs Link

Today, the "Storm" CDs and "The Goat" vinyls change hands for hundreds of dollars on collector sites. The community remains active, driven by the belief that the "real" Van Morrison—the mystic, the shaman, the soul screamer—lives not on the polished studio albums, but on the bootleg tapes where he is caught in the act of creation.

Van Morrison has consistently expressed disdain for bootlegging, viewing it as a threat to his artistic control and financial well-being. In various interviews, Morrison has stated that bootlegging undermines the value of his work and allows others to profit from his music without permission. He has also been known to take steps to prevent bootlegging, such as restricting access to his live performances and employing sound engineers to monitor and control the recording of his shows. van morrison bootlegs

After releasing the melancholic Veedon Fleece , Van disappeared to Ireland. Bootlegs from this period include a 12-minute version of “You Don’t Pull No Punches, But You Don’t Push the River” that contains an entire middle section of spoken word poetry not included on the album. These are the "lost" lyrics of a man walking the woods of County Wicklow. Today, the "Storm" CDs and "The Goat" vinyls

The earliest known Van Morrison bootlegs date back to the late 1960s and early 1970s, when Morrison was touring extensively to promote his albums. These early bootlegs often featured low-quality recordings of live performances, frequently captured using homemade equipment. As the popularity of bootlegging grew, so did the quality of the recordings. By the 1980s, bootleggers were using more sophisticated equipment, and the dissemination of bootlegs through cassette tapes and later, CDs, became widespread. In various interviews, Morrison has stated that bootlegging

Ethical Listening and Collecting For listeners concerned with ethics, options include: